My latest design is a structured crop top made from a Cotton blend fabric. The inspiration really originated from the fabric, as most of my designs do. I wanted to maintain clean straight lines. With only one curve in the pattern at the neckline, as required. I wanted to give you an inside view into my design process, so I have documented with photos along the way. Materials cost approximately $15 and 0.9M of fabric was used. The total process took a total of 9.5 hours, over the span of 2 weeks, from conceptualization to completion of construction. Concept & InspirationI was shopping in the interior fabrics section at Fabricana, when this print caught my eye. Here is a lesson for you, do not ignore the interior fabrics just because it was originally designed to be used for home decor projects. Some of my favorite designs are made from "interior" fabrics. At the time of purchase, I had no clue what I would design from it yet, but knew it had to be structured due to the stiffness of the fabric. Almost a year later....here we are. DrapingThis crop top called for draping as I wanted the raglan sleeve seams to hit certain spots and I wanted a side panel in the design. You will notice I left ample seam allowance to create my first muslin. Fit Sample (Muslin) #1Based on my draped pieces prior, I sewed them together and turned in the hems to get a real feel to what the top would look like. I had to make a few adjustments by marking the muslin with chalk. I dropped the armhole by 1/2" to give room for movement. Did not want to walk like a robot. I also re-curved the hem to make up for the bust lifting up the hem. Pattern DraftingFrom the draping and fitting, I created 2D paper pattern pieces reflecting the fabric pieces. Fit Sample (Muslin) #2A second muslin was created from the paper patterns to make sure the adjustments sat correctly. I decided to try this on since I will be wearing the final design. As you can tell from the photo, the neckline was a tad tight, so I marked that appropriately. Final Pattern DraftingOnce I was happy with the neckline correction, I finalized all the pattern pieces with seam allowances, grain-lines, titles and notches. Cut out FabricPaper pattern pieces down, pin and cut. Prepping for the garment sewing stage, I had to show you what this top looks like all lined up. Garment ConstructionThe sleeves are a combination of a raglan and cap sleeve. I wanted to stay away from an inset sleeve to create the sleeve hem flare. The most challenging part sewing this top would be where all the seams collide under the armhole at the corners of the side panel. Eight seam allowances converging at one point, four from the exterior and four from the lining. In this situation it is important to mark the exact point that all should converge, so you don't sew over. Patience was key here. This top is fully lined with the same fabric as the exterior. This means I have to make two tops first, then bring them together. Because of all the style lines and seams, it is fairly important that I pressed open each seam along the way prior to bringing the exterior and lining tops together. A fully lined garment means no raw or exposed fabric edges are visible. A small opening is left un-sewn at the hem to flip garment right side out. Hand sew a slip stitch to close up opening. After a good final press, I hand sewed a hook and eye to the top center back. I wanted to maintain an airy feel to the design but not have it fall off, so only one hook and eye was required.
For those curious and not familiar with the design process, all the step leading up to construction usually take longer than the actual garment sewing. In this case, it was approximately 30% sewing to 70% pattern creation and prep. Wondering what I will wear this top with? Check out my Instagram feed. Happy Sewing! Designed, photographed and written by Sheila Wong Studios
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A bound seam finish is not often seen in mass produced garments. Its a beautiful way to finish off raw edges inside of a garment. It is typically used to finish unlined garments in which the fabric has a high fray rate. Follow this step by step tutorial on how to apply a bound seam finish. Step 1Right sides facing sew your seam at 1/2" seam allowance and press seam open. Please note for this tutorial I will be using a 1/2" seam allowance, please check your pattern prior to sewing to see what the allocated seam allowance is. You have the choice to bind the seam allowances together, or bind them separately. Consider the thickness of your fabric, where the seam is located in the garment, and what style you desire. For this tutorial, I will demonstrate how to sew them separately. Step 2Now its time to create the binding tape. For a straight seam, cut a strip of fabric on grain or on the crossgrain as per sketch below. If you are applying a bound finish to a curved seam, cut your strip on bias. If you are unfamiliar with the terms: grain-line, crossgrain and bias please click HERE to learn. Its best to use light to medium weight 100% cotton for the binding tape. Step 3This is a 3 part pressing process to create the binding tape. Follow photos from left to right. Once the 3 part pressing steps are complete, you will have 4 sections measuring 3/8" each. This fits the original 1/2" seam allowance from step 1. Step 4Pick one side of your seam allowance, right sides facing pin the binding tape to seam allowance. Sew binding tape to seam allowance on first fold line. Step 5Wrap binding tape around seam allowance to the back, lay flat and edge stitch (approx 1/16") tape down. This sew line should capture the back of the binding tape too. Click on my video link below to see the TOP and BOTTOM views. YoutubeHere is a clip I took on what the Bound Seam Finish should look like from the top and bottom view of the seam allowance. Happy Sewing!
Photographed and written by Sheila Wong Studios It can be extremely fun hitting up the fabric store picking up new fabric. Having an understanding of basic fabric terms will better equip you in being a smart sewer and shopper. SelvageThe finished, firmly woven edge on fabric. Sometimes you will see tiny perforated holes or manufacturers writing along this edge. This edge will run along both sides of the lengthwise grain edges. Lengthwise Grain (Warp)Running parallel to the selvage edge. These yarns are the strongest and most stable. Commonly this will run vertical on a body. Crosswise Grain (Weft)Yarns running from one selvage edge to the other selvage edge make up the crosswise grain on a fabric. Most woven fabric will have a bit of movement along these yarns. True BiasSitting at a 45 degree angle from the selvage edge, it is a line that intersects with the lengthwise and crosswise grains. True bias has alot of movement and give. It can easily conform to the contours of a body. Commonly seen in evening wear. Happy Sewing! Photographed and written by Sheila Wong Studios |
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